18/44
The script was full of jokes about cancellation culture and sexual violence
Story
A small village in Northern France is the battlefield of secret extraterrestrial knights. Adèle Haenel was originally slated for the lead role, but dropped out after a disagreement with Bruno Dumont over the script. "At first I thought it looked really fun: a kind of Luke Skywalker in space. The problem is that behind this funny facade, a dark, sexist and racist world was defended. I tried to discuss this with Dumont, because I think dialogue is possible.
But it is deliberate
For the umpteenth time, I wanted to believe that it wasn’t intentional. This omission is deliberate. Just like they make fun of victims, of people who are in a position of weakness. The intention was to create a sci-fi film with an all-white cast — and therefore a racist narrative. I didn’t want to support it." She later retired from the French film industry in 2023.
Despite the quirky and lovable cast, the plot offers little in the way of character development
Bruno Dumont’s "The Empire" offers a visually stunning journey through northern France, capturing its landscapes – from countryside to sea to sand dunes – with tasteful drone footage, and the grandeur of the Palace of Versailles and Sainte-Chapelle transformed into spaceships. The cinematography, characterized by beautiful scenery and great shots, is complemented by impressive special effects and beautifully crafted dishes that showcase Dumont’s mastery of his craft and overall attention to visual detail. However, beneath its sophisticated exterior, the "L'empire" delves into an absurdist satire where the forces of good and evil battle for the fate of humanity, focusing on a child who embodies all the evil in the world. This premise, while intriguing, devolves into a story filled with empty dialogue and scenes that lack meaningful content. This aspect resonated with me personally because the characters' the authenticity and their reminder of my childhood in the region struck a familiar chord.
there was very little laughter
Despite its potential, the film’s attempt at humor often falls flat, as evidenced by its opening at the Berlinale to an audience of over 2,000. At 90 minutes, the film paradoxically feels much longer, plagued by a lack of substantive material and cringe-worthy moments that neither the visual beauty nor the quality of the effects can save. The sound design, a tasteful blend of classical and jazz, contrasts sharply with the higher beings’ obnoxious vocal tones and spying sounds at moments of tension, offering some aural relief amid the film’s wider discord. Dumont attempts to address themes of power, majesty, the divine and absolute rule, drawing parallels between France’s monumental heritage and the modern, humbler territories of northern France. However, the film tries to relate these historical reflections to any tangible impact in contemporary society, rendering the struggle between good and evil an abstract and ultimately irrelevant concept."L'imperia" might attempt to convey a deeper meaning by exploring historical and contemporary themes, but falls short by succumbing to a style-over-substance approach.
For those looking for a comedy, this film may fall short of expectations, leaving a lot to be desired in terms of both narrative depth and humor
After all, "The Empire" remains a visually captivating but narratively unfulfilling experience, highlighting a missed opportunity to combine its aesthetic achievements with a coherent and compelling story.
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